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Game Review: Sleaford Mods' Jason Williamson Assumes Role in Critical Examination at Ecstasy Generation Era

Helmed by Bristol sound co-founder Geoff Barrow, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Vibe

There is only one important plot development, but it results in a hilariously staged chaotic run on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film releases in UK and Irish cinemas from November 17.

The writer

Mary Bartlett

Elena Vance is a seasoned HR strategist with over 15 years of experience in talent development and organizational consulting.

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